Early 19th Century oak inlaid and crossbanded dresser and rack, the angled cornice over pierced fretwork frieze and three shelves with planked bac...

Burr yew and gilt metal mounted table cabinet, in the early 18th Century taste, the rectangular top over double doors enclosing arrangement of fou...

19th Century large pollarded oak mirror, the rectangular frame with easel back enclosing bevelled plate, 79cm x 67cm overall ...[more]

Coalbrookdale - Victorian two-section cast iron hall stand, the arched back centred with an oval mirrored plate, supported on the backs of seated ...

19th Century cast iron chair, the design attributed to Dr. Christopher Dresser for Coalbrookdale, cast with pierced scroll pediment over foliate s...

19th Century Louis XV-style giltwood and gesso girandole wall mirror, the shaped mirror plate, within c-scroll frame with rocaille work and flower...

Early 19th Century mahogany and crossbanded rosewood pier mirror, the breakfront cornice over moulded frieze and inset crossbanded panel and recta...

Victorian Aesthetic movement gilt and ebonised overmantel or console mirror, the mirror plate flanked by turned uprights beneath reeded spindle fr...

George III mahogany mule chest, the hinged moulded rectangular top over two long drawers with pierced brass bacmkplate bale handles and escutcheon...

Victorian figured walnut card table, the shaped hinged top with baize lined interior and stipple decorative border over foliate scroll cartouche t...

Anglo-Japanese bamboo occasional or tea table, circa 1900, the square parquetry top part painted with birds and pomegranates on black lacquer grou...

19th Century French oak and cream damask upholstered open armchair, in Louis VX style, the oval padded back and serpentine seat in moulded and flo...

Set of twelve (10 + 2 arm) Hepplewhite style carved mahogany shield back chairs, early 20th Century, with urn-centred open backs on overstuffed bo...

Late 19th Century French walnut and marquetry inlaid and crossbanded bonheur du jour, the superstructure with serpentine front fitted open shelves...

Early 20th Century inlaid mahogany ladies writing or dressing table, the superstructure with mirror back over bow breakfront top and arrangement o...

Hobbs of London - Edwardian cross-banded and inlaid satinwood serpentine front desk, with one long and four short drawers arranged around kneehole...

Edwardian mahogany pedestal desk, the breakfront top with galleried superstructure incorporating two drawers flanking writing slope with inkwell c...

Jean-Joseph Chapuis (Belgian, 1765-1864) - Architect's mahogany table or table à la Tronchin, early 19th Century, with double-hinged ratcheted gil...

John Brunsdon (1933-2014) - Limited edition coloured etching - Horningsham Gate, Longleat, numbered 14/150 and signed in pencil, 45cm by 29cm, fra...

Gordon Russell (1892-1980) for Gordon Russell & Sons - Pair of 'Birdlip' range walnut open armchairs, circa 1925, the swept ladder backs with cent...

Charles Eames (1907-78) and Ray Eames (1912-88) for Herman Miller - Pair of Aluminium Group swivel armchairs, black hopsack upholstered seat and b...

Charles Eames (1907-78) and Ray Eames (1912-88) for Herman Miller - Pair of Aluminium Group swivel armchairs, black hopsack upholstered seat and b...

Charles Eames (1907-78) and Ray Eames (1912-88) for Herman Miller (attrib.) – Aluminium group swivel chair, with blue-grey hopsack upholstery, ope...

Charles Eames (1907-78) and Ray Eames (1912-88) for Herman Miller – Aluminium group circular dining table, with beech veneered top, raised on grey...

Modernist chrome and glass topped coffee table, the rectangular glass top raised on two-tier rectangular section chrome base, 120cm x 80cm x 41cm ...

Jens Quistgaard for Dansk Designs - Set of four mid-century silver plate tapered teardrop miniature candlesticks, 6cm high ...[more]

Patrick Nordstrum for Royal Copenhagen - Stoneware vase, of double gourd form with everted neck, painted marks and dated 1920, 32cm high ...[more]

Norman Makinson (1921-2010) for Wedgwood - 1951 'Festival of Britain' mug, printed and painted with the 1851 Crystal Palace and 1951 Skylon, print...

John Maltby (1936-2020) - Ancient King, stoneware, signed to the reverse with artist's lozenge, raised on steel stand, 37cm high overall ...[more]

William Newland (1909-1998), Bull sculpture, circa 1953, earthenware, brown glaze with a cream slip trailed design, 31cm x 30cm high ...[more]

Aldo Londi for Bitossi – Model of a boar, painted marks, 41cm long ...[more]

Copeland Spode Velamour model of an elephant, designed by Erik Olsen, model no.K446, stylised form covered in a cream glaze, printed and impressed...

Studio Pottery – Laurel Keeley, oval dish, stoneware incised with fish amidst stylised waves, painted in shades of blue and yellow with red specki...

Futurist style sculpture, ceramic with metallic finish, modelled as a figure in a ball gown, stamped mark to side, 37cm x 40cm high ...[more]

Pop Art - Poster advertising Pop Art exhibition at Didier Imbert Fine Art, 16 Rue Murillo, Paris, 1986 incorporating reproduction of Tom Wesselman...

Reconstituted stone sculpture, modelled as a male torso, 78cm high ...[more]

Pair of composition stone garden pedestal urns, each with ovolu-moulded rim, reeded lower body and fluted socle, 64cm rim diameter x 52cm high, ea...

Pair of early 20th Century cast iron pedestal planters, 39cm x 42cm high overall ...[more]

Arch-shaped sectional wrought iron rose arbour, each side with a slatted seat, 185cm wide x 255cm high ...[more]

Large ovoid terracotta 'Pithos' jar, with banded decoration and three loop handles, 82cm high approximately ...[more]

Terracotta 'Pithos' type jar, of twin-handled shouldered tapered form with everted neck, another with flared neck, incised banding and two lug han...

Terracotta amphora, of typical form, having two loop handles, 78cm high, together with two ovoid terracotta planters, 30cm and 46cm high ...[more]

Late 17th Century or early 18th Century bullion work panel, possibly intended to cover for the front of a casket, worked in metal thread on sequin...

Italian embroidered linen frieze panel, probably late 17th Century, elaborately worked in red silks on a cream ground with satyr, cherubs, birds, ...

17th Century Italian embroided linen table runner, worked in red silks on a cream ground with stylised floriate and foliate motifs within banded a...

Printed cotton hanging, probably Indian 18h Century, composed of two lengths of printed in shades of red and blue on beige ground with ribbon tied...

19th Century green silk velvet jerkin, hand stitched in gold thread with foliate scrollwork within gold thread braid borders, and with brown silk ...

Welsh wool blanket by Meirionweave, 20th Century, worked with a reversible geometric pattern in shades of purple, pink and orange with fringe, 235...

Welsh wool blanket or carthen, 20th Century, of traditional Caernarfon design, worked with a reversible black and cream geometric pattern to a red...

Middle Eastern wool rug or carpet, possibly Persian Khamseh, the cobalt blue field with allover floral sprays and stepped terracotta ground centra...

Middle Eastern wool rug or carpet, probably Bidjar, the cream field with allover small boteh, central brick red lozenge and matching spandrels, wi...

Middle Eastern wool rug, probably North West Persian, the terracotta field with indigo ground medallion, spandrels and main border, allover floral...

Middle Eastern silk rug, possibly Qum, the indigo field decorated with Persian style flowers, to a conforming main border and cream ground guard b...

North West Persian wool kelleh rug, the indigo field with flowering plants and birds, within foliate meander main border and guard bands, 483cm x ...

Middle Eastern wool runner, probably Southern Caucasus, the brick red field of five stepped hexagonal medallions, 303cm x 66cm ...[more]

William III or Queen Anne walnut and marquetry longcase clock, John Cotton, Strand, circa 1700, 11-inch square brass dial signed 'Iohn Cotton in y...

Caleb Evans, Bristol (fl. c. 1766-1775) - George III mahogany cased 8-day brass dial longcase clock, with 12-inch break-arched dial, the silvered ...

Early 19th Century inlaid mahogany cased 8-day brass dial longcase clock - Richard Hornby, Oldham, circa 1825, 13-inch break-arched dial, the silv...

Early 19th Century mahogany cased 8-day painted dial longcase clock - W. B. Cornforth, Macclesfield, circa 1830, the signed 14-inch break-arch Rom...

Early 19th Century mahogany cased 8-day painted dial longcase clock, Mallett, Barnstaple, circa 1825, 13-inch signed circular Roman dial, knopped ...